Wing Dam - Wheel
Get the split, Dogwood EP and High Already EP w Which Magic (Sara Autrey) on a self-released on a limited-run cassette starting today.

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Wing Dam - Wheel
Get the split, Dogwood EP and High Already EP w Which Magic (Sara Autrey) on a self-released on a limited-run cassette starting today.

comments (view) | 29 notes
National Wake - Black Punk Rockers
Must watch. Apartheid punk, live at the Box Theatre, Johannesburg, South Africa, 1979. Just knowing this existed makes me happy.
Get their recently remastered self-titled album now from RetroFreshMusic.
Related: the Punk in Africa documentary
(Source: algierstheband)
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Western Affairs - Laura
Seems like a fitting band name for a group from Washington, DC. Lead man Alex Lee drives the hammond organ through this breakup ballad, calling Laura back for one more try. More than a few of you out there who will sing along to this lonely heartbreak.
Get their 2000 EP, a quick follow up to the “1999” single (duh) on their Bndcmp.

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The Bilinda Butchers - Boyfriend
You may have first encountered filmmaker Michelle Peña’s work when I blogged about the gorgeous fan video that she made for Youth Lagoon’s “17” last fall. She just sent along her new piece for my favorite San Francisco dream pop outfit - a deliciously cinematic effort. Dig in.
Get this track on 2011’s Regret, Love, Guilt, Dreams EP on Bndcmp, but look for new great material to drop soon (I’ve heard it, it’s awesome).
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Body Language - You Can
Just realized that I haven’t been posting many videos lately - but what better way to break back into it than this beauty from my blog bud, director Ian Perlman. I think he captured the high-class slowdancer perfectly.
Look for this track on the Brooklyn outfit’s new Social Studies EP, out now.
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Cruiser - Moving to Neptune
This is pure pop. Despite the full-band sound and layered vocal harmonies, it happens to be a solo pop project by Philadelphian Andy States, and “was brought to life in the walk-in closet of a crowded inner city loft.” His home recorded demos were heard by Jeremy Park, rising producer of Youth Lagoon’s blockbuster The Year of Hibernation, who then offered to produce this EP.
If you’re looking for a good time, don’t miss the rest of the self-titled EP out now on his Bndcmp.

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So Ween broke up today. To be honest, I’ve never been super into them, or that is to say, I was never a rabid fan like my friend Dan here. Count me in the camp that felt like a confused onlooker. You either loved or hated their quirky, half-humorous songs or you weren’t in on the joke. Regardless, more than a few of their infectious melodies have burrowed their ear worms into mine more times than I’d care to admit. I can’t deny their influence, and they’ve certainly always been true artists.
Ween - From Someone Who Really Cares
Today WEEN is a thing of the past. I first heard ween in ninth grade - a year before i moved to their hometown of New Hope, PA. The song was Baby Bitch, a warped acoustic love sick jam - timeless really. I bought Chocolate & Cheese and pretended to “get it”. Really though, it was like this weirdo compilation of different bands that were all kind of stoney. It was cool.
Fast forward to 24 years old and I have spent the last 10 years obsessed with all things brown. I have tried to turn probably like 50 people onto Ween. It stuck with like one or two of them - and that’s sweet. My close people get it like I do and they are going to be fucking bummed that we will never go to a ween show again and be pissed that they don’t play Right to the ways and the rules of the world.
Ween are my Beatles. I bought a four track because they made Good Ween Satan and The Pod on one, and they sounded really fucking good. I learned that you don’t have to be perfect right out of the box, you can just kind of love music and go from there.
Pitchfork will probably write a thing on Ween and how they were like a joke for awhile and how they had a huge jam-head following because Phish covered “Roses are Free”. It will all be true but it will suck a whole lot. Don’t read it and don’t watch the videos they post. Listen to me - someone who really cares, a lot.
For now i’m just going to keep on watching the same bootleg videos i have been since I found the YouTube.
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One of the best guitarists ever.
Folklore Productions reports that Doc Watson has passed.
R.I.P.
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Dylan Shearer - Afterwhile
Fell in love with this song in 30 seconds flat, especially after he’s been called an ‘elusive pop wizard’ by his label.
Get Porchpuddles LP on limited-edition vinyl from Endless Nest Records.
Andy French on AdHoc:
There is a history of records from the ’70s that were recorded by reclusive but oftentimes starkly brilliant songwriters (see Bill Fay, Skip Spence, Kevin Ayers) that used their recordings as an outlet of demons, neuroses, and heartbreak. The records were usually overlooked on release and relegated to critical favorites and collector obscurities. Prior to the enthusiastic reissue market that exists today, stumbling on one of these treasures felt like a secret discovery, an entry into the fractured world of its creator that few would know or appreciate.
Dylan Shearer’s songwriting has the same haunted, secretive quality of these records. Shearer has a way of capturing melancholy and pouring it cocktail-smooth into the grooves of Porchpuddles. His songwriting, his voice even, feels disjointedly out of time as if echoing from the expanse of 30 or 40 years in the time it travels from speakers to ears. Full of restless ennui and monumental sadness, it’s been years since a singer has accurately captured the sense of desperate, gentle soulfulness that’s inherent in Shearer’s work. As I’ve remarked about his last release (which had a scant run of 100 copies), this is the kind of record that haunts collectors years down the road and it should haunt you if you know what’s good for you. (Raven Sings The Blues co-premiere)

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Long Walks on the Beach - We’re Growing Up
Fritz Kramer writes:
Mark,
Hey dude, new tune, here’s the story.
After you premiered “Literally Crazy” last summer, industry folks came out of the woodwork. All the big markets, New York, LA, London — pr, managers, publishers, a handful of producers. I would take these calls, and have these conversations, and get these speeches about the ”importance of staying relevant in the industry,” and “brand management,” and “monetization,” and etc etc etc.
And while it was extremely flattering, it gave me pause. First off, it was clear that there was suddenly an audience listening, which, honestly, made me self-conscious of my sonics. I care about what I put out, and these songs are home-made, like laptop recorded/headphone mixed/unmastered homemade, and I just wasn’t happy with how the other cuts for the EP were sounding. I straight up shelved them, just put them away for another time when I knew a little bit more about wave propagation or sidechain compression or whatever was gonna allow me to achieve the sounds in my head.
But really, more than all that, I wasn’t convinced that any of the stragegizing would make for better tunes or a more interesting project. I wasn’t convinced an increase in output would make Long Walks a more sustainable creative outlet. I mean, the www presents so much opportunity, so much inspiration. And, sure I’m cognizant of the fact that there are now accepted modes of engaging an audience on the web, but the scale at which I was working makes a lot of that impractical anyway.
I’m not yelling about how much I hate money and collaboration and the man, all that stuff is cool, it all serves a purpose. But at the end of the day, after all the phone calls and all the pitches, nobody ever said, I really like what you’re up to, I can help you do it better. So I decided to just keep moving, make demos like normal, take my time with recording, and put things out when they’re really ready, which because of my television work has been a long long time.
So not only is this a way of saying I’m sorry — I didn’t deliver on what I said I would, and I apologize for that — but, in as sincere a way as possible, I’d also like to take this opportunity to thank you. Without people like you and all the blogbros supporting and nurturing new sounds, projects like Long Walks don’t exist. It’s been incredible to have all these experiences, to meet all these people, to be put in the position to even have the luxury to think about artistic integrity, or the creative process, or how someone could actually find the tunes twee (like, have they actually listened to the tunes??).
Attached you’ll find the new one, it should also be sitting in your inbox on soundcloud. I haven’t seen many lately, but if you’re still into doing premiers, all yours. Ultimately, it’ll go up on bandcamp for free dl with the others. It’s about growing up, individually and collectively, and my little sis is on the cover with me. She’s had an eventful last few months, so this one’s going out to her. Lyrics below, they’re always the #1 search in my analytics.
Hope our paths cross sooner than later,
Fritz

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Broncho - Losers
When you read the name of this Oklahoma band, you’re gonna be hard pressed to miss the ‘bro’ part. But when it comes to rock n’ roll, some dudes get it right. The quartet of Ryan Lindsey, Ben King, Nathan Price, and Johnathon Ford are on a search and destroy mission to find the heart of American rock through blood + gasoline.
They’ve just embarked on a massive US tour, so catch them in yr town. And look for their brand new Can’t Get Past The Lips LP coming out in August.

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Gold Julius - Houndstooth Suit
Chill vibez.
The brainchild of Philadelphia’s own, Kevin Comly. Tape coming soon!
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Indoor Voices - After (feat. Sandra Vu of SISU)
Some time ago, Toronto shoegazer Jonathan Relph ”asked Sandra to play drums on a song (‘If I Die’). It never happened, so I was able to use that as leverage to guilt her into singing on this song.” Here’s the product of that relationship - a song that I’ve been sitting on, regretfully, far too long. Ethereal, spaced-out swirls of hypnotic vocals layered on a dream-pop melody.
Get the Nevers LP now from his Bndcmp.

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RElyse - New Universe
A couple years ago, I met John K when he lived in Philly for a spell and was making radical, simple synth tunes wrapped in his gentle falsetto. He’s since moved back up to New York City, releasing amazing bedroom singles through his Tumblr whenever he felt like it. He’s just put out a new EP of tunes with his friend Elyse - and you should get into these immediately. White-washed pop minimalist brilliance.
Listen to the whole self-titled EP on Sndcld. If you dig this, yr not gonna wanna miss his solo work here.
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