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yvynyl ('why-vinyl') is a music and art tumblr blog.

the evolution of social music, experimental art and the power of instant self-publishing fascinate me.

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Raven Sings The Blues sez: “Some of the most digestible jams we’ve heard yet from Eric Lopez-Zareno who aside from his one man meanderings as Teepee is also known to record with Electric Bunnies and Melted Sunglasses. The last few drops from the Teepee camp have been bogged down in drone coated molasses but this time Eric opts for the simplicity of synth-punk and scarred acoustic odes ground through a familiar lo-fi filter. Skittering along on dime store beats, taped together with noise and remnant guitar strings, Morals bashes a nice collection of dour seizures through the wringer of cheap recording and splays them out through cheap speakers.”
Click through to listen to a couple tracks, or pick up the vinyl at Senzei Records.

Raven Sings The Blues sez: “Some of the most digestible jams we’ve heard yet from Eric Lopez-Zareno who aside from his one man meanderings as Teepee is also known to record with Electric Bunnies and Melted Sunglasses. The last few drops from the Teepee camp have been bogged down in drone coated molasses but this time Eric opts for the simplicity of synth-punk and scarred acoustic odes ground through a familiar lo-fi filter. Skittering along on dime store beats, taped together with noise and remnant guitar strings, Morals bashes a nice collection of dour seizures through the wringer of cheap recording and splays them out through cheap speakers.”

Click through to listen to a couple tracks, or pick up the vinyl at Senzei Records.

comments (view) | 3 notes
Listening to Sleigh Bells on the recommendation of Vela - funky, dirty tracks with a lo-fi, deep rooted party edge.  I dig it.

Listening to Sleigh Bells on the recommendation of Vela - funky, dirty tracks with a lo-fi, deep rooted party edge.  I dig it.

comments (view) | 12 notes
Two in stripes.
(via hauntedwoods)

Two in stripes.

(via hauntedwoods)

comments (view)

Keyboard Study #1, Terry Riley — Michael Century

Terry Riley’s minimalist Keyboard Study No. 1, also named Coule, was composed around the same time as his seminal In C, and appeared on the program of the latter work’s premiere concert produced by the San Francisco Tape Music Center in November 1964. Both works grow out of Riley’s experimentation with electronic tape delays. Their scores comprise collections of short phrases to be performed with indefinite repetition and in recombination with one another. According to an interview with Riley in the invaluable book on the Tape Music Center, co-published in 2008 by EMPAC and UC Press, the keyboard study was apparently played on the piano by Riley himself – not a simple task since the motifs interlock in a manner that is awkward to execute on a single keyboard. This evening’s performance on accordion separates the hands conveniently, and is enhanced by the resonance and sustaining power of that instrument.

(via submersibledirigible)

comments (view) | 7 notes

Timber Timbre - Demon Host

Really diggin’ this spooky, haunting video from Timber Timbre.  As bread ‘n’ butter points out - you should definitely go download the album free right now (only until Oct 31st!)

comments (view) | 8 notes

According to Hype Machine's Popular list nothing new is coming out. Just remixes and mash-ups...

(via headunderwater)

This is something that does bother me about HypeM, for sure.  Maybe it’s the blogs they choose, maybe it’s the audience who listens.  But ‘discovery’ isn’t the best on HypeM unless you’re listening to a particular blog you already new about.

comments (view) | 22 notes

Siouxsie And The Banshees - Love In A Void (live)

Don’t think she could get any hotter.

(via contacthigh)

comments (view) | 5 notes
Holly Miranda being backed by Nada Surf at a show at Bowery Ballroom, 10.27.09
(via lavinia jones wright - click through for more pics of the show)

Holly Miranda being backed by Nada Surf at a show at Bowery Ballroom, 10.27.09

(via lavinia jones wright - click through for more pics of the show)

comments (view) | 1 note
[Flash 9 is required to listen to audio.]

OK Ikumi - Sleep

Pretty lil’ song from a new Salt Lake City 8-bit electro artist Karl Jørgensen.

(hat tip Delicious Scopitone)

comments (view) | 6 notes
j is for joanna newsom by hellojenuine
(via jesuisperdu:haleyworldeater)

j is for joanna newsom by hellojenuine

(via jesuisperdu:haleyworldeater)

comments (view) | 47 notes
Grace Slick.
(via loudandsoft)

Grace Slick.

(via loudandsoft)

comments (view) | 17 notes
Sanyo Stereo Music Center
(via The Turntable Collection | NYLVI)

Sanyo Stereo Music Center

(via The Turntable Collection | NYLVI)

comments (view) | 43 notes
 Halloween, Philly: Arthur presents Flower / Corsano Duo, Fursaxa w/ Mary Lattimore, MV & EE 
Arthur Magazine presents

a HALLOWEEN SHOW in Philadelphia
with
FLOWER/CORSANO DUOMick Flower: Japanese Banjo (Vibracathedral Orchestra)+ Chris Corsano: Drums (Vampire Belt, Northampton Wools, etc.)
plusATP recording artistFURSAXAw/ MARY LATTIMORE (harp)
plusEcstatic Peace! recording artistsMV & EE
Saturday, October 31Frankford Gardens/ The Compoundat 2037 Frankford Avenue (map)(enter from Sepviva)
doors at 8pm / music promptly at 8:30
$5
all ages and costumes encouraged
Yes, we will be screening the WORLD SERIES (without sound)
Remember—this is a home, not a bar, so bring your own locally brewed beverage

Halloween, Philly: Arthur presents Flower / Corsano Duo, Fursaxa w/ Mary Lattimore, MV & EE

Arthur Magazine presents

a HALLOWEEN SHOW in Philadelphia

with

FLOWER/CORSANO DUO
Mick Flower: Japanese Banjo (Vibracathedral Orchestra)
+ Chris Corsano: Drums (Vampire Belt, Northampton Wools, etc.)

plus
ATP recording artist
FURSAXA
w/ MARY LATTIMORE (harp)

plus
Ecstatic Peace! recording artists
MV & EE

Saturday, October 31
Frankford Gardens/ The Compound
at 2037 Frankford Avenue (map)
(enter from Sepviva)

doors at 8pm / music promptly at 8:30

$5

all ages and costumes encouraged

Yes, we will be screening the WORLD SERIES (without sound)

Remember—this is a home, not a bar, so bring your own locally brewed beverage

comments (view) | 3 notes

comments (view) | 1 note

More on 'Quit MySpace Day'

Earlier, I linked to the Music Think Tank article without any of my own commentary, but it seems to be generating a lot of discussion so I wanted to add a few thoughts.

While I like the idea of everyone spontaneously quitting MySpace as it exists today, it simply isn’t going to happen. The gist of this ‘Quit MySpace Day’ piece is right on, though.  MySpace doesn’t know what it has going for itself and the team there simply can’t capitalize on the unbelievable asset it has developed.  Maybe the threat of people quitting will get their asses in gear.

Several of you folks have called for bands to simply abandon MySpace and head for a better service like Bandcamp or SoundCloud.  One big problem with that.  No one on earth knows about these services yet, save, what, a few thousand savvier nerds?  Don’t get me wrong, I love these services - they do so many things right.  But c’mon.  If you’re a band, you have to be where the people are and MySpace has the audience (see my previous post on this subject here).

Another really important thing to remember - MySpace doesn’t require any ‘learning curve’ by the general public.  Pretty much everyone knows how to operate it - and everyone knows how to find and connect with bands there.  That alone is a huge deal.  Even though it hurts to say it, you want to make connecting as smooth as possible, and MySpace give bands that opportunity.

Many of us are simply yearning for the MySpace Music team to take the greatness they have (audience) and start building more functional, open and clean tools for band promotion and management within that structure.  The potential is so obvious and so huge anyone even remotely connected with web and music can see it plainly.  Why can’t MySpace?

comments (view) | 23 notes